But that was before I found these neat reference videos designed solely for gesture studies.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1eQAmhUVzOVCsCCGYYrUwNhiPsXs7LZ8vLqMOqk8LXLtufIlZwxWzshv2-lD9YmOsB4V86YykGASeY-xGedq97URTV0Bpw3czkR5VEA7HCS762-J375HbAXOxmsNe4JcuvCrqlLxTro2n/s400/dohicky.jpg)
The models are shot in long-shot or full-shot at nearly all times, so the artist can see how the entire figure reacts to a movement, and distributes weight around.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvNq9YdDFhdDPJkiiapk8LthUG3j7YE85JoRMaaUVdCs893S2bmIATFoxR4A33zE0lX3L4RMBTRg8mIfxUoCoHpWDzx1Cg5yHNqvrgxAy6U8IAKOn4RKweVmHrqsR1e6scGL0RsKxj-65s/s400/deehicky.jpg)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6DaPC6oPqMyYdT03C-POuiWJOJtk9qU05ZeY95qBkCy07lux8aPiKEXHTUDt1HSb24EkT2CkNrqMk6i0H-JzBAR9xceJmxGaVd5NRLduo_B5JI5u2fmhapmO7ylAi_wjguaWrhlHaZn5e/s400/darhicky.jpg)
There are some drawbacks. The models tend to be more "pose" than "personality", which, in my case, makes for kinetic drawings, but with a certain sterility of character. Also, the poses are dynamic but unnatural, which helps me break away from the standard "S-curve of standing man" formula, but seem to lack applicability toward character-based narrative. ...And the noise Richard Simmons makes at 0:25 is deeply disturbing.
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