A visit from Gregory: An Education Experience.

"Christmas with Gregory" was intended to be conceived, and executed this past November, giving at least two weeks of December address-grabbing to make a decent mailing of the project. Certainly, the project was with the best of intents, with a use of landscape format, and the research and pre-production steps one needs to take with any comics project.

But, like many artists, I have a pesky dayjob that interferes with this proposition. Mainly a retail gig that lacks regular hours, where shifts are frequently switched, and you never know which mornings and evenings you are gonna work week to week. So deadlines on the self-set production schedule get pushed back... and pushed back... and pushed back even more.

So fast forward to December, the race is on to get his mini drawn, lettered, printed and SHIPPED before goddamned Christmas. And by December 19th, it's set. except...

The surface of a standard Office Photocopier is 17" wide while the full size of the original artwork (including that centerfold spread) is 18" wide. First Proofs are cropped artwork, no good, and no time to resize it since I'm at the zero hour AND have a holiday-season store shift starting in ten minutes.

CURSE YOU PHOTOCOPIERRRRRRR!

Game sum total: no printed mini comic this year.

Which brings about some lessons learned.

Lesson the First: Format is vital! ALWAYS know the final format of your project: aspect ratio, codec, ppi, frame rate, interlacing, color codes,paper sizes available, and of course, the size of your scanner bed before you even set pencil to paper to brainstorm!

If it's a painting to be framed, know what frame sizes are out there, first! Neglecting to even measure the scanning bed of the Xerox machine I was gonna use ahead of time shot me through the foot at the finish line.


Lesson the Second: If you aren't in an environment conductive to your goals: get out of there! A large part of what killed "Gregory" was the simple inability to predict what times would be available to work on it, due to working for an outfit with highly irregular hours.

It's not the store's fault for interferring with the schedule, it's mine for allowing it to.


Lesson the Third: Be a royal jerk about it!

We live in a culture that neither appreciates or understands the practical aspects of making art, regardless of discipline. Try out the following statements :
"I'm sorry, but I have church/a shift at McDonald's/ a picnic to go to" vs.
"I'm sorry, I have to draw"
Which of those two is somebody gonna debate?

Nobody else gets it. Not your semi-altzemic great aunt who thinks working a register at Michaels puts you "in the biz", not the government with it's comparative disregard for cultural enrichment and miniscule change jar excuse for a grants fund, and ESPECIALLY not any well meaning person or rationale that gently reminds you you "can always do that later."

Hell No.

In such an environment, to really stick to your guns and make it through requires significant force of personality: traits such as selfishness, rudeness, obsession, stubbornness, and even the occasional tantrum... at least where the work is concerned.

Cause otherwise, you're gonna cooperate yourself right the hell out of what's really important.

A visit from Gregory

Here's my Christmas Card/minicomic for 2011. For reasons I'll detail in a later post, this didn't make it to print this year. (It was fully intended for print, check out the centerfold spread for page three). But in the meantime, Merry Christmas!

The Films of Jonathan Lynn: The Fighting Temptations

2003
Released by Paramount Pictures
Screenplay by Elizabeth Hurter and
Saladin Peterson.

Darrin (Cuba Gooding Jr.) is a con man in need to escape some credit card debt who learns his Aunt Sally has just died, leaving him a large sum of money... on the condition that he lead a small time

Let's start with the good: "The Fighting Temptations" delivers solidly on the music, and amazingly (or maybe expectedly enough) the music numbers actually do their job.

In music theater, a songs is expected to further the plot, develop or reveal character, or heighten the mood. In modern film musicals, if a song doesn't further the plot, it's usually cut out. In short, if the story is going to have music, the music has to tell the story.

In her first big number Lilly sings "Fever" at a nightclub, while Darrin watches, this lets the audience know she can sing and is of value to Darrin's choir. The setting is much like the nightclubs where Darrin's mother sang, presumably an intended parallel by Elizabeth Hurter. Also, that "Fever" is a steamy ballad, also serves to set up Lilly as Darrin's love interest.

Later in the film, Darrin has rounded his choir out with prison convicts, who perform the inevitable rap number "Down to da River". In the story context, this impresses the Reverend (since they're rapping about Jesus, yo) and represents a positive swing for Darrin in his quest to build the choir. This action also infuriates Paulina, directly motivating her to make her next antagonistic move.

Even "Loves me Like a Rock", the song performed in honor of a child's haircut ( um... yeah) serves a story purpose in that it's both information for Darrin and exposition for the audience:Monte Carlo is filled with talented singers; they'd just rather work in Barber Shops than in the choir.

So really, as part of a film Genre, "The Fighting Temptations" is as every bit as valid as a musical as Cabaret, West Side Story or Tangled.


It's still a stupid movie though. (up comes unfair comparison).

The end of "Singing in the Rain" concerns talented-but-unknown Kathy Seldon is hidden behind a curtain, dubbing as the singing voice for famous-but-bitchy Lina Lamont at a live performance. Throughout the film, there's been a definite motif of "Somebodies" and "Nobodies", stars and commoners, like Don the movie star and Cosmo the Piano Player. This pattern is even reflected in the otherwise non-sequitor "Broadway Melody" sequence,. What this motif means is pretty much up to the individual critic/viewer, whether it's about class in society, the dynamics of public verses private lives or even just the value of being yourself. Anyway, the motif is consistent throughout the movie, and the whole thing culminates in that moment when the curtain goes up...

And the audience gets a charge of meaning, whether it's political , personal or elsewise. In fact, Singin in the Rain couldn't have ended any other way, and gained the same worldwide resonance it currently has.

The climax of "The Fighting Temptations" the vote to case Paulina out of the group, has no basis or setup in the story and consequently has no meaning whatsoever.
How else could this movie have ended? Darrin starts out the movie by lying a bunch, maybe the big significant climax could be he tells the truth when it really matters? Both Darrin and Paulina manipulate others for selfish reasons. Would an appropriate resolution have to do with selfishness verses altruism? Hell, there was a good three minute speech about booty earlier in the movie, if everybody won the Gospel competition by showing their asses, even that would make more sense.

Thing is "The Fighting Temptations" just doesn't have a point. No overriding theme, moral or observation to be expressed. Which makes the characters flat, without purpose and uninteresting, which in turn fails to engage the audience in any kind of emotional investment which in turn drains the scenarios of tension, peril, suspense or any reason to care. What's left is a plodding collection of sights and sounds that's either a dumb movie that keeps getting interrupted by music numbers, or a concert video with really inane skits between the songs.

Either way it's a waste of time.